My kids are good artists, and they do a pretty good version of Dad in their caricatures.
I thought all good art is you doing exactly what you want to see. I didn't realise that's not even what I really like about art. Bands I liked weren't doing just what they want to do: they were finding their common ground with them and me.
I think all art - if it's good - is a result of really trying to create something that you can't put into words. Where language ends is where good art begins.
But I'm interested in the Barnes Collection in Philadelphia. I hear there are some of the worst Matisses there. I like seeing bad art by good artists. It's inspiring. I'm able to identify with them. It makes them real.
Much good art got made while money ruled; I like a lot of it, and hardship and poverty aren't virtues. The good news is that, since almost no one will be selling art, artists - especially emerging ones - won't have to think about turning out a consistent style or creating a brand. They'll be able to experiment as much as they want.
There's good art and there's bad art. A lot of action films are bad art, but Paul Greengrass showed us with the Bourne films that it's possible to make an action film with a political, social conscience.
I think good artists know when they're on a roll, and they recognize when lightning is striking. It's a very fortunate thing to have that inspiration and not to overanalyze it or mess with it; you just follow it if you love what you do.